Seeds →
Sprouts →
The ANS has the ability to bring calm, to spontaneosly engage with others, and to navigate threat responses through social cues.
Neuroception distinguishes safe from dangerous
Working with our hands allows for thought
Working with your hands makes things happen in your brain
When we really face the weight of our current reality, we have to begin to ask what comes next. It creates new opportunities to make a new world.
When we make art, we are exploring alternative realities.
Attuned relationships include rupture and repair
Groundwork is a way of “showing up” - even without feeling like it.
Seasons aligned with stages of maturity & creativity
Being a maker is about collaborating with reality
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Shoots→
1 — Creativity & Curiosity
1 — Creativity & Curiosity
3 — Mental & Emotional Well-being
3 — Mental & Emotional Well-being
4 — Physical Health
4 — Physical Health
5 — Intentional Living
5 — Intentional Living
6 — Writing & Reading
6 — Writing & Reading
7 — Teaching
7 — Teaching
8 — Nervous system
8 — Nervous system
9 — Interactions
9 — Interactions
10 — Research
10 — Research
Seeds are Words & Ideas I’ve Collected Along the Way
At the seed stage, I’ve merely collected things. They are other people’s words and ideas in their original format; in other words, raw data. They are planted but in their original form.
FAQs About Seeds
What is a seed in my garden?
A seed is a raw but interesting idea from other people’s work. I’m merely capturing it as a spark that might lead to my own idea.
How do I decide what is worth adding as a seed?
Quote/Note Type | Action |
Insightful/Provocative | ➡️ Create a Seed (as-is or with comment) |
Contextual but meh | ❌ Don’t seed; leave in reading notes as reference only |
Something you're sure you'll act on soon | 🟢 Create Seed + Sprout in one go |
How do I collect seeds?
Most seeds are collected through reading—either on my Kindle or in Readwise Reader. In both cases, the highlights and notes I collect as I read are pulled into Notion where I can decide what I want to keep as a seed and what is already ready to sprout.
How do seeds in my digital garden compare to the Zettelkasten method?
They are somewhere between fleeting notes and literature notes. Like the Zettlekasten approach, I keep all my literature notes—whether as seeds or just the original notes—within the bibliographic reference so that I still have it. But not all of those are added into my public digital garden; what is here I determined to be insightful or provocative enough to keep in the compost pile.
What it means to protest
In beginning such work, we take endings into our own hands, perhaps for the first time. And this is exactly what I see students doing; acknowledging the despair and rage of countless unchosen endings, and asking again and again “what life must become going forward.” It is an empowering and world-making shift.
Unwanted endings
Unwanted endings often reveal a web of other potential endings that may become undeniably necessary and even impossibly enticing; ways of living that no longer work, outdated relational styles, choices around consumption, and productivity.
Dore on forgiveness
To the degree that forgiveness means finding closure or redemption or a way to feel better about this reality it is not just a pointless, but a violent idea. If, on the other hand, forgiveness involves looking unflinchingly at the harms done and imagining “what a wronged life lived well might be,” it comes with clear work to do and an invitation to make life otherwise. It comes with practices and habits and ways to take up, alongside pain that will not go away.
Dore, quotes from Savransky
Counter-apocalyptic thinking is a reminder that endings are both inherent to reality and “the only thing in this world that is worth beginning.” And for Savransky, “to suggest that the end of the world must be begun is to affirm that the otherwise must be made, and to proffer an invitation…for an ongoing and unfinished experimentation with divergent modes of inhabiting the Earth.”
Potts’ notion of forgiveness
Potts’ notion of forgiveness as mourning, which is struggling “with and through and in a loss we cannot redeem” and showing us how to live in the wake of that loss. ()
Jessica Dore on forgiveness
Refusing the need to reconcile what is too late to change or take back, forgiveness makes way for “the only possible future” that can come of it. And though it’s often taken up with some amount of hesitation, forgiveness always entails “a stance of openness toward the future,” from which a “refusal to forget its wrong imagines what a wronged life lived well might be.”
on forward facing
For Potts, forgiveness is “paradoxically forward facing” in that it both “addresses the past so unflinchingly” and “sets itself honestly toward whatever future can actually come to be in the wake of that past.” Rather than ease or peace or closure, the promise of forgiveness may be that it makes livable what can’t be undone.
Dore quoting Keller on apocalypse
I read Facing Apocalypse by theologian Catherine Keller. In it, she notes the meaning of the word apocalypsos as “unveiling, thus revelation.” For Keller, apocalypse is “disclosure, not closure. Not a closing down of the world, but an opening up.” ()
tv for comfort
Research demonstrates that we intuitively gravitate towards reruns when we’re feeling down because doing so increases our communal sense of belonging and decreases loneliness; it’s the parasocial connection that’s comforting us. One study in the Journal of Experimental Social Psychology showed that watching reruns of your favorite show “buffers against drops in self-esteem and mood and against increases in feelings of rejection commonly elicited by threats to close relationships.” (Location 3066)
on survival
You survive what happened to you, then you survive your survival, and then the gift you’re given is that you fall in love with your whole life, inextricable from the bad thing that happened to you.
Working with your hands makes things happen in your brain
What we want to point out here is that the physical manipulation of things, like direct personal experience of any kind, generates sensory images of all sorts and thus enables thought. Hands-on tinkering leads to minds-on thinkering. Bodily engagement with nature teaches much more than any amount of words or numbers in science books. Doing produces a personal understanding that symbols simply can't.
What is thinkering?
‘Thinkering' is a word that the writer Michael Ondaatje coined in his novel The English Patient to express the genesis of concepts in the mind while tinkering with the hands. Much has been written about the human hand and how its use effects the brain, language and culture (see Frank R. Wilson's The Hand, 1998).
testing the linked database view
"Lorem ipsum dolor sit amet, consectetur adipiscing elit, sed do eiusmod tempor incididunt ut labore et dolore magna aliqua. Ut enim ad minim veniam, quis nostrud exercitation ullamco laboris nisi ut aliquip ex ea commodo consequat. Duis aute irure dolor in reprehenderit in voluptate velit esse cillum dolore eu fugiat nulla pariatur. Excepteur sint occaecat cupidatat non proident, sunt in culpa qui officia deserunt mollit anim id est laborum.”
Slip-box: focus on thinking, instead of remembering
The slip-box is designed to present you with ideas you have already forgotten, allowing your brain to focus on thinking instead of remembering. ([Location 657]
What it means to be a maker
When we collaborate with reality, we are makers. We are makers when we act in response to life from our true being, instead of merely doing. On the making path we remember we are in relationship with a living world, not just conquering things on our to-do list or molding the world to our utilitarian purposes. ()
seasons for the creator
“The creative moment of a writer comes with the autumn,” wrote Cyril Connelly in . “The winter is the time for reading, revision, preparation of the soil; the spring for thawing back to life; the summer is for the open air, for satiating the body with health and action, but from October to Christmas for the release of mental energy, the hard crown of the year.” ()
art from danger
“Surely all art is the result of one's having been in danger, of having gone through an experience all the way to the end, where no one can go any further. The further one goes, the more private, the more personal, the more singular an experience becomes, and the thing one is making is, finally, the necessary, irrepressible, and as nearly as possible, the definitive utterance of this singularity.”
Rilke on experiencing pain
In his Letters to a Young Poet, Rilke famously wrote, “So don’t be frightened, dear friend, if a sadness confronts you larger than any you have ever known, casting its shadow over all you do. You must think that something is happening within you, and remember that life has not forgotten you; it holds you in its hand and will not let you fall. Why would you want to exclude from your life any uneasiness, any pain, any depression, since you don’t know what work they are accomplishing within you?”
Publish
Growth Status
Slug
Name
Garden Tags Database
Seed Quote
URL
source relation
Seed Date:
Source Info
Publish
Growth Status
Slug
Name
Garden Tags Database
Seed Quote
URL
source relation
Seed Date:
Source Info
Publish
Growth Status
Slug
Name
Garden Tags Database
Seed Quote
URL
source relation
Seed Date:
Source Info
Working with your hands makes things happen in your brain
What is thinkering?
testing the linked database view
Slip-box: focus on thinking, instead of remembering
What it means to be a maker
seasons for the creator
tv for comfort
art from danger
Rilke on experiencing pain
on survival
What it means to protest
Unwanted endings
Dore on forgiveness
Dore, quotes from Savransky
Potts’ notion of forgiveness
Jessica Dore on forgiveness
on forward facing
Dore quoting Keller on apocalypse